Scribe’s palette and brushes, Dynasty 21 (ca. 1000 b.c.); Egyptian; From Thebes; Wood, ink, and reed Ten-Minute Art School Course The Tomb of Wah by Catharine H. Roehrig, Department of Egyptian Art, The Metropolitan Museum of Art Just over 4,000 years ago, in about 2005 B.C., a boy named Wah (20.3.210) was born in the Upper Egyptian province of Waset, which took its name from the city better known today by its ancient Greek name—Thebes. At that time, Thebes was the capital of all Egypt, and Nebhepetre Mentuhotep (07.230.2), founder of the Middle Kingdom, was nearing the end of his long reign. Nebhepetre was a member of the Theban family that had controlled a large part of Upper Egypt for several generations. Early in the third decade of his reign, about twenty-five years before Wah’s birth, the king reunited Upper and Lower Egypt after a period of civil war and took the Horus name Sematawy—Uniter of the Two Lands. For his accomplishment, Nebhepetre was forever honored by the Egyptians as one of their greatest pharaohs. While growing up, Wah undoubtedly heard tales of the difficult time when there had been no supreme leader ruling over the two lands of Egypt, and Thebes was cut off from trade with the foreign lands to the northeast. He must have been told countless times of the heroic deeds of Nebhepetre and his supporters, who had fought to reunite the Nile valley in the south with the delta in the north. But in Wah’s lifetime there was peace, and prosperity was returning to the land. Early in his life, probably when he was six or seven, Wah began studying to become a scribe. Learning the art of writing was a long, painstaking process, accomplished primarily by copying standard religious texts, famous literary works, songs, and poetry. Wah may have mastered both formal hieroglyphic and the cursive hieratic scripts, memorizing hundreds of signs and learning which had specific meanings in themselves; which represented sounds and could be used to spell out words; which were determinatives, or signs that give clues as to the meaning of a word; and which could be used in more than one of these ways. He would have practiced forming signs, learning their correct size and spacing in relation to one another. He would also have learned to mix ink and to make brushes from reeds (47.123), for Egyptian handwriting was a form of painting, and the finest scribes developed personal hands that were calligraphic in style. Sometime in his youth, perhaps quite early in his scribal training, Wah went to work on the estate of Meketre, a wealthy Theban who had begun his career as a government official during the reign of Nebhepetre and eventually rose to the exalted position of “seal bearer,” or treasurer—one of the most powerful positions at court. A man of Meketre’s importance probably owned a great deal of land, and his private domain would have been virtually self-sufficient, with tenant farmers, artisans and other specialized laborers, scribes, administrators, and servants all living and working on the estate. Wah probably began his service as one of the lower-level scribes, keeping accounts and writing letters (20.3.11). Ultimately, he became an overseer, or manager, of the storerooms on the estate. We can speculate about some of Wah’s duties thanks to a set of wooden models that were probably made during his lifetime as part of the burial equipment of his employer, Meketre. These small scenes, which form one of the finest and most complete sets of Middle Kingdom funerary models ever discovered, can be interpreted on more than one level. All of them have symbolic meanings connected with Egyptian funerary beliefs, but they also provide a picture of the day-to-day tasks that were performed on an ancient Egyptian estate. The basis of Egypt’s economy was agriculture, and the grains, fresh fruits, and vegetables raised on Meketre’s lands would have been his most important assets. A large portion of the crops would have been dried or processed into oil and wine, stored, and used throughout the year in the estate’s kitchens (20.3.12). Some of the produce was set aside for taxes and salaries. Anything left over could be traded for raw materials or luxury items not available on the estate. Artisans on the estate produced ceramic vessels (86.1.10) in which to store beer and wine; carpenters made and repaired furniture, doors, windows, and perhaps even coffins and other funerary equipment, when necessary; weavers wove the hundreds of yards of linen used in every aspect of life and for wrapping mummies after death. In his adult years, Wah probably oversaw the output of all of the artisanal shops, as well as the storage of agricultural produce, the paying of taxes, and the doling out of wages in grain, cloth, and other products for work done on the estate. As a young man, Wah must have been an imposing individual; at nearly six feet, his height far exceeded that of most of his contemporaries. However, at some point he seems to have injured both of his feet, and his duties as a scribe and overseer probably allowed him to maintain quite a sedentary lifestyle. Perhaps as a result of these circumstances, by his mid-twenties Wah had become obese—a sign of great prosperity, but also perhaps of poor health, for he died before he was thirty.[via the Heilbrunn Timeline of Art History]

Scribe’s palette and brushes, Dynasty 21 (ca. 1000 b.c.); Egyptian; From Thebes; Wood, ink, and reed



Ten-Minute Art School Course

The Tomb of Wah

by Catharine H. Roehrig, Department of Egyptian Art, The Metropolitan Museum of Art

Just over 4,000 years ago, in about 2005 B.C., a boy named Wah (20.3.210) was born in the Upper Egyptian province of Waset, which took its name from the city better known today by its ancient Greek name—Thebes. At that time, Thebes was the capital of all Egypt, and Nebhepetre Mentuhotep (07.230.2), founder of the Middle Kingdom, was nearing the end of his long reign. Nebhepetre was a member of the Theban family that had controlled a large part of Upper Egypt for several generations. Early in the third decade of his reign, about twenty-five years before Wah’s birth, the king reunited Upper and Lower Egypt after a period of civil war and took the Horus name Sematawy—Uniter of the Two Lands. For his accomplishment, Nebhepetre was forever honored by the Egyptians as one of their greatest pharaohs.

While growing up, Wah undoubtedly heard tales of the difficult time when there had been no supreme leader ruling over the two lands of Egypt, and Thebes was cut off from trade with the foreign lands to the northeast. He must have been told countless times of the heroic deeds of Nebhepetre and his supporters, who had fought to reunite the Nile valley in the south with the delta in the north. But in Wah’s lifetime there was peace, and prosperity was returning to the land.

Early in his life, probably when he was six or seven, Wah began studying to become a scribe. Learning the art of writing was a long, painstaking process, accomplished primarily by copying standard religious texts, famous literary works, songs, and poetry. Wah may have mastered both formal hieroglyphic and the cursive hieratic scripts, memorizing hundreds of signs and learning which had specific meanings in themselves; which represented sounds and could be used to spell out words; which were determinatives, or signs that give clues as to the meaning of a word; and which could be used in more than one of these ways. He would have practiced forming signs, learning their correct size and spacing in relation to one another. He would also have learned to mix ink and to make brushes from reeds (47.123), for Egyptian handwriting was a form of painting, and the finest scribes developed personal hands that were calligraphic in style.

Sometime in his youth, perhaps quite early in his scribal training, Wah went to work on the estate of Meketre, a wealthy Theban who had begun his career as a government official during the reign of Nebhepetre and eventually rose to the exalted position of “seal bearer,” or treasurer—one of the most powerful positions at court. A man of Meketre’s importance probably owned a great deal of land, and his private domain would have been virtually self-sufficient, with tenant farmers, artisans and other specialized laborers, scribes, administrators, and servants all living and working on the estate. Wah probably began his service as one of the lower-level scribes, keeping accounts and writing letters (20.3.11). Ultimately, he became an overseer, or manager, of the storerooms on the estate.

We can speculate about some of Wah’s duties thanks to a set of wooden models that were probably made during his lifetime as part of the burial equipment of his employer, Meketre. These small scenes, which form one of the finest and most complete sets of Middle Kingdom funerary models ever discovered, can be interpreted on more than one level. All of them have symbolic meanings connected with Egyptian funerary beliefs, but they also provide a picture of the day-to-day tasks that were performed on an ancient Egyptian estate. The basis of Egypt’s economy was agriculture, and the grains, fresh fruits, and vegetables raised on Meketre’s lands would have been his most important assets. A large portion of the crops would have been dried or processed into oil and wine, stored, and used throughout the year in the estate’s kitchens (20.3.12). Some of the produce was set aside for taxes and salaries. Anything left over could be traded for raw materials or luxury items not available on the estate.

Artisans on the estate produced ceramic vessels (86.1.10) in which to store beer and wine; carpenters made and repaired furniture, doors, windows, and perhaps even coffins and other funerary equipment, when necessary; weavers wove the hundreds of yards of linen used in every aspect of life and for wrapping mummies after death. In his adult years, Wah probably oversaw the output of all of the artisanal shops, as well as the storage of agricultural produce, the paying of taxes, and the doling out of wages in grain, cloth, and other products for work done on the estate.

As a young man, Wah must have been an imposing individual; at nearly six feet, his height far exceeded that of most of his contemporaries. However, at some point he seems to have injured both of his feet, and his duties as a scribe and overseer probably allowed him to maintain quite a sedentary lifestyle. Perhaps as a result of these circumstances, by his mid-twenties Wah had become obese—a sign of great prosperity, but also perhaps of poor health, for he died before he was thirty.

[via the Heilbrunn Timeline of Art History]