Seiko Mikami - Desire of Codes
This installation by Seiko Mikami, consisting of three parts, is currently set up in YCAM - Yamaguchi Center for Arts and Media. Large number of tentacles-like devices with built-in cameras are placed across a huge wall, while six robotic “search arms” equipped with cameras and projectors are suspended from the ceiling tracking the visitors. Data is collected and assembled, presenting elements of past and present back to the viewer.
(via notational)
motherraisedamystic: KALEIDOSCOPE TUNNEL AT THE MILAN TRIENNALE, 1964 … during the exhibition the floor was covered by moving projections and sound, thereby creating even more disorientation.
[Thanks to @pacogonzalez for sending me this.]
(via workman)
“You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”— Buckminster Fuller, an American engineer, systems theorist, author, designer, inventor, and futurist. Fuller published more than 30 books, inventing and popularizing terms such as “Spaceship Earth”, ephemeralization, and synergetics. He also developed numerous inventions, mainly architectural designs, the best known of which is the geodesic dome. Carbon molecules known as fullerenes were later named by scientists for their resemblance to geodesic spheres.
Richard Pare, Shábolovka’s radio tower, 1988
Via ‘We Make Money Not Art’, which takes a look at the Royal Academy’s exhibition Building the Revolution: Soviet Art and Architecture 1915-1935
(via prostheticknowledge:)
True Story
I had a multiple-great-grandfather named Valentine Kestler. He fought in the Civil War. He’s dead, now.
Dear men of the world,
If a woman is upset or hurting, you should comfort her. No questions asked.
Love,
me.
The Invisible Man and the Fly Man (Toumei Ningen to Hae Otoko, Daiei, 1957)
(Source: hoodoothatvoodoo, via venusprobe)






